On the Source of Ci-Priority Ideology of Wang Guowei’s Ci-Study and Ci-Creating

Wang Guowei was an important Ci researcher in the Ci-study field from the late Qing Dynasty to the early Minguo era who had developed the distinctive Ci-priority ideology. The Ci-priority ideology derived from 1) Wang Guowei’s Ci-liking which had come from his individual character based on his melancholy and suffering experiences, 2) Wang Guowei’s pure literature ideology which had surpassed fames and wealth, 3) Wang Guowei’s sticking to and rejuvenating the traditional culture because of his thought and feelings that adherents of a former dynasty should behave with honor and dignity. Wang Guowei’s Ci-priority ideology had introduce the West aesthetic theory of literature and art, and constructed the multi-angles and all-round system of Ci-study theory based on the core of prospect theory.


Introduction
Ci is a kind of poetry written to certain tunes with strict tonal patterns and rhymes schemes, in fixed numbers of lines and words, originating in the Tang Dynasty and fully developed in the Dong Dynasty.
Up to the Qing Dynasty, the academic have continued to talk about the priority of various literature styles, but to time from the late Qing Dynasty to the times of Minguo, the ideology of superior poem and inferior Ci had not been thoroughly changed, so ci-priority could not enter the field of vision of literature history 1 . When one country is in reform and suffering, the poems and prose which can carry on the doctrine become the mainstream culture and are respected greatly, and ci becomes the end of literature and is neglected by the world. Wang Guowei develops ci-priority ideology under the circumstance of this ci-study development history and society changing and reforming. The academic have not interpreted where Wang Guowei's ci-priority come from. This is an important question which can not only find out Wang Guowei's academic thoughts and study-ci experience from micro-angle, but also can point out the changing and development of the ci-study, so it has very important significance to studying the ci field from the late Qing Dynasty to the early Minguo era. not lovely. So he wanted to free himself from a predicament, but not be successful, and he has transferred his study interest from philosophy to literature.
At last, he focused on ci study after long-time lingering and thinking, and making successful in making poem and ci 3 . So Wang Guowei's success in making and studying ci should source to thin and weak physical, depressed character and resonating with ci's distinction which is good at expressing feelings. So Ye Jiaying (1988, p. 32) commented on Wang Guowei's and said that 'gai jingan xiansheng zhi weiren, fanxing guoduo, changyu yilian er duanyu fayang, ci suoyi ta sui yiyou wenxue zhi tiancai, er qi suochang zhe nai dan wei yi jingjian guya qusheng de shici' (盖静安先生之为人, 反省过多, 长于抑敛而短于发扬, 此所以他虽亦有文 学之天才, 而其所长者乃但为以精简古雅取胜的诗词) 'Mr. Jingan conducted himself in society based on his introspecting himself so much, so he was good at holding in and not good at throwing up, so this is the reason that he was good at making concise, ancient and elegant ci which was praised highly although he was a literature genius.' Wang Guowei stressed the comfort function of aesthetics. He was influenced by Kant and Arthur Schopenhauer's aesthetics thought 4 , and he believed that art education has the function of 'wei kongxu zhi kutong, er fang beilie zhi shihao'慰空虚之苦痛, 而妨卑劣之嗜好 5 , (to comfort the suffering-burden mind coming from the spiritual ballast, and free from the dishonorable and humble hobbies').
And Wang Guowei developed the art ideology that 'meiyu yu deyu buke li' (美育与德育之不可离 6 ) 'the art education and moral education cannot be divided.' So Wang Guowei was the first Chinese scholar who introduced the viewpoints that the art and literature are 'meishu zhe, shangliu shehui zhi zongjiao' (美术者, 上 流社会之宗教 7 ) 'the religion of the high society'. He considered that '' (美术之慰藉, 现实的也. 而美术之慰 藉中, 尤以文学为尤大, ……故此后中学校以上, 宜大用力于古典一科 8 ) 'the function of art and literature is realistic, and literature is on the first place among the comfort function of the art and literature, so he advocated that people should endeavor to undertake the ancient and classic education from the middle school'. Furthermore, Wang Guowei still believed that 'yiqie zhi mei, jie xingshi zhi mei' (一切之美, 皆形式之美 9 ) 'all beauty came from the form beauty'. And the beauty of pictures and poems were all forms, so the tradition Ci-study which is famous for its form beauty is held in esteem because it is considered as inner feeling's reflecting from Wang Guowei himself. And Wang Guowei praised Li Yu (李煜)that his ci had the same meaning and significance as Skaya Mani and Christ shoulder the human being's sins, and had the function of refining people's mind like religion. So we can say that Ci was praised highly because it could resonate with Wang Guowei's individual character.

The Pure Literature Ideology of Transcending Fame and Wealth
Wang Guowei was a famous scholar in early 20 century who had modern academics thought when he explored the nature of literature and law of creating and commenting on the literature during the upsurge of the west culture coming into the east culture. He focused on the art value on its own, considered that 'du mei zhi weiwu, shi ren wang yi ji zhi lihai err u gaoshang chunjie zhi yu, ci zui chuncui zhi kele ye' (独美之为物, 使人忘一己 之利害而入高尚纯洁之域, 此最纯粹之快乐也 10 ) 'beauty could stand alone, it was a pure merry when it made people forget the fame and wealth and enter a high honorable and innocent scope'.
He established the pure literature ideology, and blamed that people used the art and literature as the political tools. And he believed that 'bi deng yan zhengzhi, ze yan zhengzhi eryier, er bi yu xie zhexue, wenxue zhi shensheng, ze ci da bukejie zheye' (彼等言政治, 则言政治而已耳, 而必欲渎哲学、文学之神圣, 则此大不可 解者也 11 ) 'it was not difficult to understand that people used politics to profane the sacred philosophy and literature'. He objected to imitating, and considered that 'mofang zhi wenxue, shi wenxiu de wenxue yu buzhui de wenxue zhi jihao ye' (模仿之文学, 是文绣的文学与餔餟的文学之记号也 12 ) 'the imitating literature was the literature signs of embroidering based on the fixed picture and eating the food from other's mouth'.
Wang Guowei did not like to write in ornate style when commenting Ci, and he believed if '' (人能于诗词中不 为美刺投赠之篇, 不使隶事用典之句, 则于此道已过半矣 13 ) 'when one wrote Ci not to use ornate words and allusions, he mastered the main quintessence of creating and commenting Ci'. He disobeyed the literature ideology that literature should convey the moral viewpoints, and pursued the literature's aesthetic value which was seemingly useless. He often attacked the existing maladies when writing Ci over-using ornate words and the same meaning sentences. He criticized the evil of the Yangzhou Ci-style which advocated that the meaning and thought of Ci should be written in outer form of elaborate language. So he determined to clear the evil existing in the Ci-field, and reestablish the new style of Ci. He regarded the prospect and feeling as the two original natures of the literature, and then transfer them into meaning and prospect that could express oneself inner feelings and moves somebody from the outer angle. In fact, Wang Guowei majored in the west science in his early time, obviously, this was a thinking revolution because he considered that the most-valued literature of the east ancient country cannot be equal to the western literature, and we should wait for the future literati. Although Wang Guowei regarded advocating the traditional culture as his duty, he also bemoaned Ci's declining. He believed that 'zi nansong yihou, si dao zhi bu zhen jiu yi, yuan, ming ji guo chu zhulao, fei wu jingju ye, ran bumianhu jucu zhe, qi kun yu diaozhuo ye, jia dao yihou zhi ci, fei bu xie mei ye, ran wu jiu yu qianbo zhe, yi jie yu moni ye' (自南宋以后, 斯道之不振久矣！元、明及国 初诸老, 非无警句也. 然不免乎局促者, 气困于雕琢也. 嘉道以后之词, 非不谐美也；然无救于浅薄者, 意 竭于模拟也 15 ) 'Ci was not on the high ebb from Nan-Song Dynasty. Ci had some wonderful sentences from the Yuan and Ming Dynasty to the early time of Minguo, but it was distressed and embarrassed, and confined in ornate style. Ci was not inharmonious after the time of Emperor Jiajing and Daoguang in the Qing Dynasty, but it was considerably meagre and clumsily modelled on the former works'. And he had introduced Ci-style into the literature category which should be respected by the following persons.

Conclusion
The development of Wang Guowei's Ci-priority  and Wang Guowei's individual character. Through exploring the source of Wang Guowei's Ci-priority concepts, we can find out that his Ci-priority concepts rooted in the traditional literature, based on the west aesthetics theory, and constructed the multi-angles and all-round theory system of Ci-study under the core of prospect ambience concepts.
Wang Guowei entered the traditional Ci field brought with new ideology, new thoughts and new methods, found the new road to new field for the Ci-priority's development. He liked a skylark in Ci field from the late Qing Dynasty to the early time of Minguo, who sang using his real and natural voice. He sang the first overture of the modern Ci-study loudly. When the falling flowers are flying in profusion in the sky, the whole trees turn into beautiful flowers. Wang Guowei advocated the evolution and reforming of Ci-study ideology during the Minguo times and modern times , Yang Haiming (1996, p. 110) said that Wang Guowei was worthy of the first person who had the cross-times significance during the new reforming of Ci-study and Ci-study criticism in the 20 th century.